Monday, November 8, 2010

Chapter 7: The Big Bad Wolf returns


Lowood is not a pretty place. (The name might be a bit of a hint - in the nineteenth century, low-lying areas were generally thought unhealthy. And I suppose you can consider that a minor spoiler, too.)
Our clothing was insufficient to protect us from the severe cold: we had no boots, the snow got into our shoes and melted there: our ungloved hands became numbed and covered with chilblains, as were our feet: I remember well the distracting irritation I endured from this cause every evening, when my feet inflamed; and the torture of thrusting the swelled, raw, and stiff toes into my shoes in the morning. Then the scanty supply of food was distressing: with the keen appetites of growing children, we had scarcely sufficient to keep alive a delicate invalid. From this deficiency of nourishment resulted an abuse, which pressed hardly on the younger pupils: whenever the famished great girls had an opportunity, they would coax or menace the little ones out of their portion.
Just where you want to send your kid, isn't it? It appears our Jane was not the only one with less-than-devoted relatives.

But here's the part that tells the reader how bad things really are: "The other teachers, poor things, were generally themselves too much dejected to attempt the task of cheering others." I'm actually a little surprised Jane lets them off so easily here, as opposed to using this to demonstrate that the staff is as bad as the physical plant, but apparently she's inclined to be generous.

And then... Mr. Brocklehurst shows up.

Cue the ominous music, 'cause you just know this isn't going to turn out well.

His visit starts out mildly enough - if he's not very sympathetic, he's not too horrible as he goes over some housekeeping notes with Miss Temple. But his criticisms of her management continue, and then we get to the shocking indulgence of lunch:
I looked over the regulations, and I find no such meal as lunch mentioned. Who introduced this innovation? and by what authority?
Historical side note: Lunch in the sense of a midday meal hadn't really arrived by the time this chapter takes place in. By the end of the book, we're getting to the late 1820s/early 1830s, when it had become more fashionable, but to be fair to Mr. Brocklehurst we have to acknowledge that most girls probably weren't getting any meals beyond breakfast, dinner (which was undergoing some migrations at this point, but was somewhere around mid-afternoon), and supper (the oatcake-with-a-splash-of-coffee meal of Jane's arrival at Lowood).

Etymological side note: Before lunch/luncheon took on the meaning we associate with it, it meant a small serving of something.

Back to the story. Miss Temple explains the extenuating circumstances surrounding the lunches, and Mr. Brocklehurst demonstrates his ability to cloak miserliness in priggishness.
"Madam, allow me an instant. You are aware that my plan in bringing up these girls is, not to accustom them to habits of luxury and indulgence, but to render them hardy, patient, self-denying. Should any little accidental disappointment of the appetite occur, such as the spoiling of a meal, the under or the over dressing of a dish, the incident ought not to be neutralised by replacing with something more delicate the comfort lost, thus pampering the body and obviating the aim of this institution; it ought to be improved to the spiritual edification of the pupils, by encouraging them to evince fortitude under temporary privation."
And Miss Temple looks like she's about to let him have it, when another distraction pops up: hair. Let's just not even get into it. Or the female Brocklehursts. The closest thing to a rational comment on that is ppbbbbthhhhh.

And then we get to the heart of the chapter: Mr. Brocklehurst makes good on his promise to Mrs. Reed, and calls Jane out as a liar. Rather over-the-top eloquently. In front of everyone.

We already know, thanks to her strong feelings in Helen's case, that Jane's not a fan of the public humiliation form of punishment. So how does she feel when she's the object? That's what we'll learn in Chapter 8.

(Post pic: This was actually taken in Georgia, but if you pretend that the vegetation is something more English than Spanish moss and live oaks, it could almost be Lowood's surroundings, couldn't it?)

Saturday, October 23, 2010

Good stuff from other blogs

Cool idea from Laurel:
"For any group of (at least) THREE kids (or grownups, I guess) who wants to get together and read THREE books from the list below (that they have not read before) I will offer a FREE SKYPE VISIT to chat with the group about the books they’ve read. I’ll also happily chat about other things, but at the heart of the conversation should be the books on this list."
Read it for the categories:
"Related to this is the explosion of commentary in 2009 around the publishing industry’s future. Pundits bloviated over ebooks in post after post without definition or focus."
If Cheryl hadn't posted this, I probably would not have found a connection between Taylor Swift and my historical WIP:
"The thing that so impresses me about this line is that it implies four layers of relationship in those ten words"
Fascinating ideas, fabulous graf-level linking:
"Here’s a little idea for creating innovation in news coverage: the 100 percent solution. It works like this: First, you set a goal to cover 100 percent of… well, of something. In trying to reach the goal you immediately run into problems. To solve those problems you often have to improvise or innovate. And that’s the payoff, even if you don’t meet your goal."
Katherine takes on picture books:
"Yes, I think price is a factor. No matter how many times these books are going to be read, people see an $18 + price tag on a 32 page book and they balk."
Awesome:
"The maps use typography as the sole visual clue."
In which J.L. Bell makes me reconsider a minor character in said WIP:
"It’s always a printer’s apprentice."
Food for thought:
"Publishers are in the business of linking content to markets, but we’re hamstrung at search because we’ve made context the last thing we think about."
Loads of advice from Deborah Heiligman:
"Transcribe your notes soon after taking them. Write so you can read your handwriting. Make a note of the source if it's not from your head."

Chapter 6: Meet Miss Perfect

[ETA: Roman numerals are unnecessary, but usually they're not too much trouble. Not sure why I misread the chapter heading, but you'll note that this post now has the correct chapter in the title. We're up to 6, not 7 - or VI, not VII, as the Project Gutenberg edition has it.]

One of the first things that jumped out at me in this chapter is "the girls here were all called by their surnames, as boys are elsewhere." Because that was the case not only for schoolboys, but also for higher-level servants - Darcy's housekeeper is referred to as Reynolds, for instance, in Pride & Prejudice. Is this a dig at the girls' in-between social status - well-bred enough to be sent to school, but not likely to end up as gentry?

This chapter also marks the first time Helen Burns is introduced by name, and it's clear that she's being set up as a foil to Jane - Jane can't even stand to watch Helen be punished, while Helen just accepts it, because clearly, she must have done something wrong.

(That punishment, incidentally? I'd love to think that it's because of Miss Scatcherd's love of black humor that she delivers a switching on the back of Helen's neck in the midst of a lesson on Charles I, but we're never led to think she's that clever.)

So on the one hand, we have Jane: "If she struck me with that rod, I should get it from her hand; I should break it under her nose."

And on the other, Helen: "Yet it would be your duty to bear it, if you could not avoid it: it is weak and silly to say you cannot bear what it is your fate to be required to bear."

Helen seems just a bit too good to be true, which is one of the reasons why it's generally accepted that Charlotte Bronte based the character on her sister Maria, who (spoiler alert) died at the Lowood-esque school the girls attended. So while the idealization is understandable, I think it's fair to say that Jane Eyre would not have been such a success if we had to put up with Helen for more than a couple chapters.

Tuesday, October 12, 2010

Ten 10-10-10 Challenge wrap-up

So, how'd I do?

Not too spectacularly, especially when you look at what Melissa and Kalen managed to pull off. I finished a total of 50 books for the challenge, and reached ten books in only two categories, history and contemporary YA.

I really slacked off after the first couple months - most of the books on these lists were there by May.

But the thing is, I didn't just read 50 books since January 1. I've recorded 91 books in LibraryThing since then, though that also doesn't represent my total reading time - as always, most of my reading time is spent rereading. I did push myself to read more new books than I otherwise would have, though, in those first few months.

Other musings:

  • Despite the fact that a third of the mysteries I read for the challenge were by Agatha Christie, I'm not actually much of a fan - I'm willing to suspend disbelief to some extent, but her plots were too implausible even for me.
  • I keep intending to read poetry more often than I do. I had plenty of options to choose from just at home, without even heading to the library or the bookstore, but I chose to read other stuff.
  • From what I can tell, three of the 50 books I read for the challenge were written by people of color. That's pretty pathetic, especially for someone who tries to be aware of things like that.

Here's the summary:

1. Shakespeare-related (2/10)
Shakespeare: The World As a Stage, Bill Bryson
Contested Will: Who Wrote Shakespeare?, James Shapiro

2. Poetry (1/10)
Red Bird, Mary Oliver

3. Biography (3/10)
Shakespeare: The World As a Stage, Bill Bryson
The Hiding Place, Corrie ten Boom
Beatrix Potter: Artist, Storyteller, and Countrywoman, Judy Taylor

4. Contemporary young adult (10/10)
Sweet, Hereafter, Angela Johnson
A Wish After Midnight, Zetta Elliott
The Clearing, Heather Davis
The Things a Brother Knows, Dana Reinhardt
The Six Rules of Maybe, Deb Caletti
Extraordinary, Nancy Werlin
Kissing Tennessee, Kathi Appelt
My Most Excellent Year, Steve Kluger
Habibi, Naomi Shihab Nye
Only the Good Spy Young, Ally Carter

5. Children's non-fiction (7/10)
Honeybees: Letters From the Hive, Stephen Buchmann
The Boys' War, Jim Murphy
How Do You Go to the Bathroom in Space?, William Pogue
Bloody Scotland, Terry Deary
Math Doesn't Suck, Danica McKellar
The War to End All Wars, Russell Freedman
Here There Be Monsters: The Legendary Kraken and the Giant Squid, H.P. Newquist

6. Science fiction (2/10)
Twenty Thousand Leagues Under the Sea, Jules Verne
Android Karenina, Leo Tolstoy and Ben Winters

7. History (10/10)
Unsettled: An Anthropology of the Jews, Melvin Konner
The Imperial Cruise, James Bradley
Blood and Thunder, Hampton Sides
Playing the Enemy, John Carlin
Helluva Town, Richard Goldstein
Hellhound on his Trail, Hampton Sides
A Nation Rising, Kenneth C. Davis
Farmers Against the Crown, Keith Jones
The Atlantic, Simon Winchester
The Madame Curie Complex, Julie Des Jardins

8. Mystery (9/10)
Poirot Investigates, Agatha Christie
The Seven Dials Mystery, Agatha Christie
The Mapping of Love and Death, Jacqueline Winspear
The Weed That Strings the Hangman's Bag, Alan Bradley
A River in the Sky, Elizabeth Peters
The God of the Hive, Laurie R. King
Dark Road to Darjeeling, Deanna Raybourn
The Tale of Oat Cake Crag, Susan Wittig Albert
The Secret Adversary, Agatha Christie

9. Written before 1900 (5/10)
Robinson Crusoe, Daniel Defoe
Twenty Thousand Leagues Under the Sea, Jules Verne
Roughing It, Mark Twain
The Adventures of Huckleberry Finn, Mark Twain
The Scarlet Pimpernel, Baroness Orczy

10. Pulitzer winners (4/10)
Among Schoolchildren, Tracy Kidder
The Guns of August, Barbara Tuchman
Red Bird, Mary Oliver
War in a Time of Peace, David Halberstam

Tuesday, September 21, 2010

Read These Books

A couple weeks ago my little sister Dom* asked for book suggestions. I used moving as an excuse to procrastinate for a while, but finally got around to pulling together a list of some of my favorite books from this year.

(Okay, the capsule reviews are kind of cheating, since I totally intended to write more about these books. But it's better than just intending and forgetting, right?)

Poison Penmanship, Jessica Mitford. I had a copy of this book back in high school, but after it sat untouched on my bookshelves for years, I ended up getting rid of it unread. What was I thinking? This would have been the perfect thing to read every time I hit an aspiring-journalist phase. Mitford starts out with a quick version of what she teaches to j-school students, then comments on each piece - what the editor changed, what she thinks of it years later, how she got the key interviews. Very glad NYRB Classics brought this one back into print. (Source: review copy courtesy of the lovely @NYRBClassics, who's been putting up with my gushing on Twitter)

Diamond Ruby, Joseph Wallace. I probably would have picked this book up even if I hadn't first met the author through Twitter, as I spent a couple years in middle school trying to be Geena Davis in A League of Their Own. Jazz Age Brooklyn, baseball, rum runners, and plenty of real-people cameos come together beautifully, and - I'll try to say this in as un-spoilerish a way as possible - when I thought the author was about to do something terrible to one of his characters, he didn't, which just made me love him that much more. (Source: ARC)

Forge, Laurie Halse Anderson. It's a sequel, but I think it's a good starting point even if you haven't read Chains. The title refers to Valley Forge, where former slaves Curzon and Isabel are encamped with the Continental army, but also to - well, you'll find out about halfway through. And after just saying that I adore Joe Wallace for not doing awful things to his characters, one of the awesome things about Forge is LHA's willingness to put her characters in a bad situation and then make it worse, but not scare me off. And the cover is gorgeously Kara Walker-ish, no? (Source, ARC)

Hellhound on His Trail, Hampton Sides. Even though anyone who reads this probably already knows how it's going to end - the name James Earl Ray does mean something to you, doesn't it? - this book still reads like a thriller. Sides did a great job recreating the sequence of events surrounding Martin Luther King, Jr.'s assasination. (Source: ARC)

The Madame Curie Complex, Julie Des Jardins. Thanks to Colleen for putting me onto this one. For the record, I studied astronomy at a women's college, in an observatory named after a woman, using computers named after female astronomers (so much more interesting than naming them OBS001 or something like that) - so this is a topic of interest to me. Which meant I was willing to slog through some unfortunate formatting that made the book appear way more dry and academic than it actually is. Look past the footnotes at the end of each chapter (endnotes, people, please - we all know how to flip pages) and give it a try. (Source: library)

My Most Excellent Year, Steve Kluger. As Stephen** points out in his Guys Lit Wire review, this book requires some degree of suspension of disbelief, but it's so worth it. The book is funny, the story moves along, and - well, just trust me on this one. (Source: acquired in the ABA lounge at BEA 2008, and yes, it took me this long to get around to it. Should have read it sooner.)

Major Pettigrew's Last Stand, Helen Simonson. I finally got around to reading this one after Ron Charles' rave in the Washington Post, so I have to admit I'm pretty much cribbing from him when I say that this book works because it's a wide-eyed story of a second chance at love. And the intercultural angle (he's English; she's Pakistani) comes off well, without being either forced or condescending. (Source: ARC)

Android Karenina, Quirk Books. Sorry, but I can't bring myself to list the authors here as "Leo Tolstoy and Ben H. Winters." I'm so not a fan of the "remake classics with paranormal elements" thing from the past year or so. I want nothing to do with Pride & Prejudice & Zombies. And yet... my boss handed me this one, and I decided to take a look - and liked it. It's sort of Imperial Russia steampunk loosely based on Anna Karenina, and the aliens/robots/cyborgs storyline actually works. You probably have to have read the original to appreciate it, though. (And no, it did not change my feelings about P&P&Z and its cousins one bit.) (Source: ARC)



*My Wellesley little sister, not an actual sister. I don't have any of those.
** My actual little brother.

Wednesday, August 4, 2010

10-10-10 Challenge update (again)

Two categories completed, and I think it's a total of 44 books - counting them in more than one category makes it hard to keep track, especially when I don't properly tag the books in LibraryThing.

Overall:
Shakespeare-related (20%)
Poetry (10%)
Biography (30%)
Contemporary YA (100%)
Children's non-fiction (60%)
Science fiction (20%)
History (100%)
Mystery (60%)
Written before 1900 (40%)
Pulitzer winners (40%)

1. Shakespeare-related (2/10)
Shakespeare: The World As a Stage, Bill Bryson
Contested Will: Who Wrote Shakespeare?, James Shapiro

2. Poetry (1/10)
Red Bird, Mary Oliver

3. Biography (3/10)
Shakespeare: The World As a Stage, Bill Bryson
The Hiding Place, Corrie ten Boom
Beatrix Potter: Artist, Storyteller, and Countrywoman, Judy Taylor

4. Contemporary young adult (10/10)
Sweet, Hereafter, Angela Johnson
A Wish After Midnight, Zetta Elliott
The Clearing, Heather Davis
The Things a Brother Knows, Dana Reinhardt
The Six Rules of Maybe, Deb Caletti
Extraordinary, Nancy Werlin
Kissing Tennessee, Kathi Appelt
My Most Excellent Year, Steve Kluger
Habibi, Naomi Shihab Nye
Only the Good Spy Young, Ally Carter

5. Children's non-fiction (6/10)
Honeybees: Letters From the Hive, Stephen Buchmann
The Boys' War, Jim Murphy
How Do You Go to the Bathroom in Space?, William Pogue
Bloody Scotland, Terry Deary
Math Doesn't Suck, Danica McKellar
The War to End All Wars, Russell Freedman

6. Science fiction (2/10)
Twenty Thousand Leagues Under the Sea, Jules Verne
Android Karenina, Leo Tolstoy and Ben Winters

7. History (10/10)

Unsettled: An Anthropology of the Jews, Melvin Konner
The Boys' War, Jim Murphy
The Imperial Cruise, James Bradley
Blood and Thunder, Hampton Sides
Playing the Enemy, John Carlin
The Guns of August, Barbara Tuchman
Helluva Town, Richard Goldstein
Hellhound on his Trail, Hampton Sides
A Nation Rising, Kenneth C. Davis
Farmers Against the Crown, Keith Jones

8. Mystery (6/10)
Poirot Investigates, Agatha Christie
The Seven Dials Mystery, Agatha Christie
The Mapping of Love and Death, Jacqueline Winspear
The Weed That Strings the Hangman's Bag, Alan Bradley
A River in the Sky, Elizabeth Peters
The God of the Hive, Laurie R. King
Dark Road to Darjeeling, Deanna Raybourn

9. Written before 1900 (4/10)
Robinson Crusoe, Daniel Defoe
Twenty Thousand Leagues Under the Sea, Jules Verne
Roughing It, Mark Twain
The Adventures of Huckleberry Finn, Mark Twain

10. Pulitzer winners (4/10)
Among Schoolchildren, Tracy Kidder
The Guns of August, Barbara Tuchman
Red Bird, Mary Oliver
War in a Time of Peace, David Halberstam